Beverley Johnston reviews Points of Departure in latest Ontario PAS Newsletter.

Bev Johnston is one of North America’s  distinguished percussion soloists.  Her  recordings on the Centrediscs label are inspiring and influential.  That said, her kind words about Points of Departure are truly moving to me.

Points of Departure CD Review by Beverley Johnston

Centrediscs CMCCD 20715

“POINTS OF DEPARTURE” is a fabulous representation of “the idea of Canada”…a combination of multi-cultural influenced Canadian percussion solos performed exquisitely by American-born musician Nicholas Papador.

The recording opens with Papador’s own composition A Very Welcome and indeed it is! Played with heart and musicality, this is also a great display of Papador’s technical control on the marimba. Beautiful execution of dynamics and flawless riffs add to the impressiveness of the well-maintained structure of the piece. Les petites reprises, by Isabelle Panneton, is also for marimba solo. This piece is somewhat more structurally disjointed but Nicholas manages to “connect the dots” with the clarity and smoothness of his rolls and his control of the dynamics. The third marimba representation on this recording is Hamilton-based composer Christien Ledroit’s epic piece Night Chill –the first representation of the piece being on Catherine Meuniere’s debut Centrediscs recording of the same name. Excellent balance between marimba and audio thanks to the expertise of popular percussion recording producer Ray Dillard and recording engineer Douglas Romanow.

The two vibraphone solo selections are by Nicolas Gilbert (Ariane endormie) and Linda Catlin Smith (Invisible Cities). Gilbert is not a “newbie” to the percussion composition scene, having written several works for marimba, vibraphone and multi-percussion. His latest venture into solo percussion will be a piece for the semi-finals of the Montreal Symphony Orchestra’s Percussion Competition in November, 2015. Linda Smith has added extensively to the percussion repertoire also. Invisible Cities was written for her husband, percussionist Richard Sacks and has been played often by him and many other percussionists. Both pieces are somewhat minimalist in nature and well-paced in the capable hands (mallets!) of Papador!

The single multi-percussion solo represented on this recording, and the longest piece, is called Points d’emergence – “Points of departure”. Thank you Nicholas for sharing your ability to make a combination of diverse percussion instruments sound like one instrument! Perhaps the most structurally erudite piece on the recording, Papador has the skill to enrapture the listener for the whole length of this technically challenging work through his innate understanding of tone production, musical structure and masterful phrasing.

Congrats Nicholas Papador! Can’t wait to hear your next recording!